Shelly Davis bought her loom, a four harness Nilus Leclerc, in 1975. It weighs more than she does, and it arrived in pieces with a guidebook called “Weaving: A Fantastic Hobby.”
Shelly Davis bought her loom, a four harness Nilus Leclerc, in 1975. It weighs more than she does, and it arrived in pieces with a guidebook called “Weaving: A Fantastic Hobby.”
Inside of a shipping container studio on Chappaquiddick, artist Zach Pinerio stands surrounded by shelves of bowl blanks.
It was pure happenstance that West Tisbury cartoonist Paul Karasik stumbled upon a mural that became the basis of his first essay in The New Yorker.
Making a piece of pottery is an arduous process. But that doesn’t slow Candy Shweder down.
Abe Pieciak’s latest work in progress sits on a table in the middle of his Aquinnah studio.
When Margot Datz began painting the walls of the children’s room at the Edgartown Public Library last fall, she expected the work to take three or four months at most.
